Bibliography & Suggested Reading

In-text citations throughout the volume use author–date form (e.g., Clausius 1865; Festinger 1957). The Works Cited section below resolves those references in a single alphabetized list. The chapter clusters that follow are organized as a suggested reading map: where a work is in print and a recording exists, both are listed.

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Atkins, P. W. (2010). The Laws of Thermodynamics: A Very Short Introduction. Oxford: Oxford University Press.

Breuer, J., & Freud, S. (1895). Studies on Hysteria. Standard Edition, Vol. II. London: Hogarth.

Clausius, R. (1865). "Ueber verschiedene für die Anwendung bequeme Formen der Hauptgleichungen der mechanischen Wärmetheorie." Annalen der Physik, 201(7), 353–400.

Einstein, A., Podolsky, B., & Rosen, N. (1935). "Can Quantum-Mechanical Description of Physical Reality Be Considered Complete?" Physical Review, 47(10), 777–780.

Festinger, L. (1957). A Theory of Cognitive Dissonance. Stanford: Stanford University Press.

Freud, S. (1915). "Repression." Standard Edition, Vol. XIV, 141–158. London: Hogarth.

Hooke, R. (1678). Lectures de Potentia Restitutiva, or of Spring. London: John Martyn.

Jung, C. G. (1959). The Archetypes and the Collective Unconscious. Collected Works, Vol. 9, Part 1. Princeton: Princeton University Press.

LibreTexts Physics. (2024). Elastic Potential Energy. https://phys.libretexts.org

McLeod, S. (2024). Repression and the Return of the Repressed. Simply Psychology. https://www.simplypsychology.org

Riemann, B. (1859). "Ueber die Anzahl der Primzahlen unter einer gegebenen Grösse." Monatsberichte der Berliner Akademie.

Yu, S., Piao, X., & Park, N. (2024). "Bound states in the continuum on photonic integrated circuits compute the Riemann zeta function." Nature Photonics.

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• Helmholtz, Hermann von. On the Sensations of Tone as a Physiological Basis for the Theory of Music. Trans. Alexander J. Ellis. New York: Dover, 1954 (1885).

• Benade, Arthur H. Fundamentals of Musical Acoustics. 2nd rev. ed. New York: Dover, 1990.

• Roederer, Juan G. The Physics and Psychophysics of Music: An Introduction. 4th ed. New York: Springer, 2008.

• Sethares, William A. Tuning, Timbre, Spectrum, Scale. 2nd ed. London: Springer, 2005.

• Forsyth, Michael. Buildings for Music: The Architect, the Musician, and the Listener from the Seventeenth Century to the Present Day. Cambridge: MIT Press, 1985.

• Howard, Deborah and Laura Moretti. Sound and Space in Renaissance Venice: Architecture, Music, Acoustics. New Haven: Yale University Press, 2009.

• Blesser, Barry and Linda-Ruth Salter. Spaces Speak, Are You Listening? Experiencing Aural Architecture. Cambridge: MIT Press, 2007.

• Levitin, Daniel J. This Is Your Brain on Music: The Science of a Human Obsession. New York: Dutton, 2006.

• Sacks, Oliver. Musicophilia: Tales of Music and the Brain. Rev. ed. New York: Knopf, 2008.

• Doidge, Norman. The Brain That Changes Itself. New York: Viking, 2007.

• Patel, Aniruddh D. Music, Language, and the Brain. Oxford: Oxford University Press, 2008.

• Heath, Thomas L. A History of Greek Mathematics. 2 vols. Oxford: Clarendon Press, 1921.

• Livio, Mario. The Golden Ratio: The Story of Phi, the World’s Most Astonishing Number. New York: Broadway, 2002.

• Kappraff, Jay. Connections: The Geometric Bridge Between Art and Science. 2nd ed. Singapore: World Scientific, 2001.

• Edwards, H. M. Riemann’s Zeta Function. New York: Dover, 2001 (1974).

• du Sautoy, Marcus. The Music of the Primes: Searching to Solve the Greatest Mystery in Mathematics. New York: HarperCollins, 2003.

• Yu, Wen et al. "Optical computation of the Riemann zeta function via integrated micro-ring resonators." Nature Photonics (2024) — see also the project’s `riemann-fork/notebooklm-dossier-2.txt` for the working bibliography.

• Penrose, Roger. The Road to Reality: A Complete Guide to the Laws of the Universe. London: Jonathan Cape, 2004.

• Al-Khalili, Jim and Johnjoe McFadden. Life on the Edge: The Coming of Age of Quantum Biology. New York: Crown, 2014.

• Rovelli, Carlo. Helgoland: Making Sense of the Quantum Revolution. New York: Riverhead, 2021.

• Greene, Brian. Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe. New York: Knopf, 2020.

• Dante Alighieri. The Divine Comedy. Trans. Allen Mandelbaum. New York: Bantam, 1982.

• Vasari, Giorgio. Lives of the Most Eminent Painters, Sculptors, and Architects. Trans. Gaston du C. de Vere. 10 vols. London, 1912–14.

• King, Ross. Brunelleschi’s Dome: How a Renaissance Genius Reinvented Architecture. New York: Walker, 2000.

• Las Casas, Bartolomé de. A Short Account of the Destruction of the Indies (1542). Trans. Nigel Griffin. London: Penguin, 1992.

• Freud, Sigmund. Beyond the Pleasure Principle (1920). Trans. James Strachey. New York: Norton, 1990.

• Jung, C. G. The Archetypes and the Collective Unconscious. Trans. R. F. C. Hull. Princeton: Princeton University Press, 1969.

• Scott, James C. Domination and the Arts of Resistance: Hidden Transcripts. New Haven: Yale University Press, 1990.

• Oakeshott, Michael. On Human Conduct. Oxford: Clarendon Press, 1975.

• Nemanja Radulović — Baïka (Deutsche Grammophon, 2015) and Bach (DG, 2018).

• Stefan Plewniak — recital recordings on Naïve and independent labels.

• J. S. Bach — Mass in B minor, John Eliot Gardiner / Monteverdi Choir (DG Archiv).

• Antonio Vivaldi — L’estro armonico, Op. 3, Europa Galante / Fabio Biondi (Virgin Classics).

• Hildegard von Bingen — A Feather on the Breath of God, Gothic Voices / Christopher Page (Hyperion).

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This bibliography will be updated through the book’s life on the project site, where each entry will be hyperlinked to a recording, a public-domain text, or a follow-on essay.